Saturday, December 29, 2012

Tiny Present on Copper #10

Gift to my  Maria Gorrick and Tim Whistler - Gouache, ink and collage on antique copper printing plate, 6" x 7.5", 2012.

Sunday, December 23, 2012

Tiny Present on Copper #9


I made this recently for my friends Maryrose Larkin and Eric Matchett.  

Gift to MRL and EM - Gouache, ink and collage on antique copper printing plate, 3" x 11.5", 2012.

Monday, December 3, 2012

Recent works on paper...

Some screwing around in November with encaustic monotypes on quartered fawn colored printmaking paper. 

Tiny Present on Copper #8

I made this recently for my friend and collaborator John Bloomberg-Rissman.  I very much like the ghosty man on the copper plate that casually leans up against the fragments of text. 

Gift to JBR - Gouache, ink and collage on antique copper printing plate, 4 11/16" x 3.5", 2012.


Saturday, June 30, 2012

Tiny Present on Copper #7

Gift to Deborah Poe - Gouache, encaustic, and collage items on antique copper printing plate, 2 3/4" x 6 1/4", 2012.

Tuesday, June 12, 2012

Tiny Present on Copper #6

Gift for Kathleen (aka "Tigger") Gilligan. Gouache, encaustic and collage items on antique copper printing plate, 4 5/8" x 3 1/2", 2012.

Monday, June 4, 2012

Text Event (with Fire) #2

Over Memorial Day weekend, with lots of Chris Burden on my mind, I wanted to set my first perfume poem on fire in a controlled way. I kept thinking about how Burden's work was literally the act of making the work, how writers can talk about process all they want, but in the end, all we really see is outcome. Every moment, the body, after all, is a processual outcome (and so is the text). I emailed my friend Jonathan Bloomberg-Rissman about the essential idea of this piece. He offered (no, promised) NOT to shoot me. "That's what friends are for." I had two people help me with this event: my husband Peter Genovese and our good friend (and guitarist extraordinaire) Steve Cotten. I'm lucky in that I usually get rousing enthusiasm from loved ones when I make suggestions about setting something on fire. I printed up four copies of "To Take the Thought and Turn it Into a Scar," a poem I wrote about Patchouli 24, a perfume from Le Labo conceived by Annick Menardo, four copies in case we had to try this several time to get it to work. Patchouli 24 basically smells like the cracked orange pleather chairs in a 1970s Russian nuclear lab, plus librarians burning old books just outside the window. So there's the commemoration of war on this holiday weekend, there's the burning of a poem about a perfume that smells like burning... Ritual heaped on ritual, sense on sense. The poem is 10 pages long, so I grabbed 10 bowls from the kitchen and lined then up on a long piece of green masking paper laid on the floor of Peter's shop. Peter adjusted the bowls to be perfectly straight because he's got it going on when it comes to the space/time continuum. We did a first run with blank paper to see how things burned. Peter thought it might work better to use an accelerant, which gave us a more even burn and a longer burn time. Using his acetelene torch, he quickly touched the poetry in each bowl with flame. Steve filmed the whole event. I took a lot of pictures - something about the soft and fragile paper, the hardness of the handmade bowls filled with ash. Once the paper burned, the text clung ghosty to the ash, and I couldn't stop looking. Then we carefully emptied the bowls of their ashes onto the page underneath the bowl. Steve made a short film of the event and posted it on YouTube - you can see it here.

Thursday, May 31, 2012

I-Formation (Book Two) is out!

Get yourself a copy here. It will be available through SPD soon...

Friday, May 25, 2012

Tiny Present on Copper #5

I made this present for my friend, the visual poet Geof Huth. It's called "The Missing F" because the old dictionary I use for collage jumped from "geodidic" to "geognostic" - it jumped over any possibilities involving the "f" in his name. To add the missing "f," I hammered some fs into the copper using Peter's metal stamps, and then in a flaky moment, I covered most of them up with a piece of film. There's one lone "f" peeking out that I couldn't photograph. So the "f" is there and not. Collage items and encaustic on antique copper printing plate, 3 1/2" x 4 1/2" inches (I think), 2012.

Monday, May 21, 2012

Tiny Present on Copper #4

I made this little piece for my friend Lori Anderson Moseman's birthday. Her new book, All Steel (Flim Forum Press), is all about tools and work and ritual of respite from work. I liked how there is this ghost worker on the copper plate behind the collage. Encaustic and collage on vintage copper printing plate, 3.5" x 4", 2012.